Video - Art Journal Flip One

I'm back this week with another video! This time it is a flip through of my first ever art journal, which you may have seen photos of in this post. I love listening to people talk about their sketchbooks though, so I thought I would update that post with a video. 

A flip through of my first art journal, created in 2013. To find out more about my art journals and sketchbooks, visit my blog: http://www.haleyaubuchon.com/blog/?tag=art+journal Website: http://www.haleyaubuchon.com/ Instagram: https://www.instagram.com/haleyca/

Do you like watching sketchbook or art journal flip videos? I could watch them all day long, so I hope that you enjoyed this one. Let me know if you have any questions about this particular art journal or something you'd like to see in a future video let me know! I'm having a blast making these.

Video - Current Journals

I love watching people talk about their artwork and art journals in videos on YouTube. I could watch them for hours and hours. Partly to get recommendations for good journals and supplies, partly to gather some inspiration, and partially because it is just so fascinating to listen to people talk about things I love. 

So I thought I should contribute some video content of my own, instead of just watching. So here's a video of me talking about my current journals, what I'm using them for, and some general journal thoughts. I don't have any fancy editing and I'm not the most comfortable talking to a camera yet, but it's a start!

A little chat about the journals that I'm currently using. If you'd like to see more of my journals, check out the sketchbook series on my blog: http://www.haleyaubuchon.com/blog/?category=sketchbook+series Website: http://www.haleyaubuchon.com/ Instagram: https://www.instagram.com/haleyca/

Are you a fan of these kind of videos? Would you like to see more of them from me? I have a few other videos up my sleeve, like journal flip throughs, but I'd love to know what you'd be interested in hearing me talk about it. 

Let's Talk About Sketchbooks Volume 8

It has been so long since I've had a sketchbook to share. 

I have really gotten away from art journaling in the past year when I started to work on loose sheets of paper or tearing out pages from my sketchbook to scan. This shift is mostly great because it means that I'm focusing more on making work that I can sell and developing my digital skills with scanned-in work. But I really miss making art that lives in a book and the more personal work that comes out when I'm art journaling is so valuable to me. I made a point of getting back into it in the last month or so and it has been great. 

sketchbook 8 cover

So here's the book. It's a Moleskine cahier that I started in August 2016. When I was almost finished I painted the cover white (covering up a pink paint job that I did not like, which you can kind of see showing through) and added this rad Nefertiti sticker from Salad Days Pins.

I started this book as a place to use up extra acrylic paint but dropped that plan almost immediately when I decided to use it as an art journal instead. These first two pages reflect that original purpose, plus some extra doodling.

The pages in this book are actually very thin, so in many places I stuck pages together or added mixed media paper on top of the page to give it some more heft. The drawing on the left (of Joan of Arc, naturally) is on mixed media paper that I glued into the book.

Because I was working on so many projects on loose paper I tried to use the book as a place to keep some samples of what I was working on at the time. The painting on the left is one of a series of watercolors that I pasted in. The page on the right is heavily inspired by Katie Licht's Cut and Paste class at Studio Calico, which I was taking at the time. I am such a fan of Katie's work, so getting to learn about her process was amazing.

This is a completely unfinished page. I tried out a few ideas and didn't feel the need to continue with either of them, so I just left them that way.

On the left is another Cut and Paste inspired page, using papers that I painted. On the right is another collage using paper that I drew patterns on myself (the eyes are a rubber stamp that I carved years ago - you can see it in use in a different journal here).

More Cut and Paste inspired pages, this time with a more minimal approach.

I had intended on journaling on this whole spread, but I never did. Now, I like it the way it is.

I liked the way that these 3 pages worked as a spread. I cut holes into the blue page on the right so that the polka dots on the page behind it show through.

More collages, using papers that I painted myself. This blue, green, and yellow color scheme is different for me, but I love how it looks.

More examples of what I was working on. I was scraping layers of paint onto paper using a credit card, and then painting over it so that the layers show through in the negaative space.

More collages that didn't work out so well and a pattern that I love in pink.

More examples of current work that I glued in. This was an early study for what would become a series of abstract watercolors that are now in my shop. 

One of the drawings from my Draw a Lady Daily project. I did most of them in other notebooks, but one day this was the only one I had with me. When I closed the book, some of the paint marker rubbed off on the opposite page, so I covered it with a pattern.

Trying to get back to journaling like I used to, with lots of bold lettering. And another scraped paint background on the right.

I have loved incorporating photos into my journals and doodling on them. What I tried on this photo turned out looking more like stink lines though. The stickers say "blurry & happy" because that's what I am in this photo. I'm trying to remember that I can be happy even when things are blurry.

Practicing mixing acrylic colors. And some minimalist collage.

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More color mixing practice, paint pen doodling, and the Mary Oliver quote that I want everywhere.

The evolution of a pattern. I doodled the big eye when I didn't know what to draw and then decided to make it into a pattern.

More paint pen patterns.

Thanks for checking out my sketchbook! If you share your sketchbook or art journal on your blog or Instagram or wherever, let me know, I love peeking inside other people's sketchbooks. Hopefully it won't be so long before I have another sketchbook to post.

Let's Talk About Sketchbooks (and Art Journals) Volume 7

It has been a little while, but today I'm back with another post in my sketchbook series! The little book that I'm talking about today is something that I would definitely not call a sketchbook, it is entirely an art journal.

The story behind it is this: As I've mentioned many, many times, at the beginning of July I moved from DC to LA. In the months leading up to this big change I was leaving my job, packing up my apartment, and trying to figure out how to move to the opposite coast (where I'd lived for my entire life and where the vast, vast majority of my family and friends were) and I was having a lot of feelings about it. I wanted a place to work out those feelings, and, of course, making things always helps me with that, so I started a daily art journaling project for myself.

The idea was to make at least one page for the book each day. Not to just decorate a page, but to completely create it - background, writing, etc, all on that day. I then punched holes in each page, and bound them together with book rings, adding a new page or two each day. I'm not exactly sure why I decided to do it this way, I think I thought it would make a cool project and a nice creative challenge. And this way, I could end the book whenever I felt like it. With a pre-bound book I could end up with several blank pages that I didn't feel like filling, or I could fill all of the pages and still want to add more. 

Emotionally, my goal with this book was to get really honest about what I was feeling and thinking. I think a lot of the time I'm not really honest with what I write in journals and sketchbooks. I gloss over or downplay or write something vague. I don't think this is because I'm afraid of someone else reading what I've written (let's be real, no one cares what I write about in the many many journals I keep), but more that I'm afraid that writing something down makes it real, or I'm afraid to admit something. But I feel like it is also important for me to get that stuff out. This project also makes a good time capsule of my last days in DC and of my state of mind at a very specific and important time, so hopefully I will like looking back on it one day.

Phew, sorry that was such a long introduction. This project is unique so it needed some explanation. Now, onto some of the pages.

I haven't made covers for the book. I just started with page one. I love how simple but impactful this one is. I wastercolored a lot of the backgrounds in this book because I was working on my 100 Days of Watercolor Without Reference project at the time. Using the date stamp became something I did every day, and I used my stapler a lot too.

I included some quotes about change that felt relevant. I also played around with different shapes and sizes of pages. The largest pages are 4x6", but you can see a narrower page on the right with 2 other pages peeking out from behind. I just love layered pages like that.

Hoarded paper from Japan on the left, and a photo transfer using a Chartpack pen on the right.

Made the day after my roommate moved out of our apartment, kicking off a few months of living alone. Rifle Paper Co. paper on the left, and another photo transfer on the right (with a book page peeking out from behind).

One of my first geometric collages! I actually made my first ever ones as 4x6" to go into the book and kind of fell in love with the size. I painted and wrote on a book page on the right (using what I had around my desk).

I took a lot of Instax photos in those days. A lot of them ended up in the book, either on pages, or in envelopes/bags.

One of those bags is on the left. It was just packaging for something that I recycled, punched holes in, and decorated with Sharpie drawings. Behind it is a page made from security lining of an envelope. On the right, I wrote out a text that I sent to my roommate. I included some kind of writing every day in one form or another - long, short, whatever. 

On this day I felt awful and like I had no creative energy. So, I made the page by layering on tons of stickers as a kind of mindless activity. The one on the left page summed up my feelings. Now, this page cheers me up.

Keeping it simple with watercolors on the left. On the right, I made an envelope out of really delicate newsprint paper to hold journaling that I didn't want anyone to be able to see and read easily. I didn't really think that one through - it took a lot of finagling to make it so the newsprint wouldn't completely tear apart when I opened and closed the envelope, but its pretty.

While making the book I took a trip to visit family in Boston. I didn't bring any pre-made pages with me - just my stapler, hole punch, date stamp, and pens. All of the pages from that time were made on paper that I procured when I was there. On the left are a piece of a shopping bag and greeting card, and on the left is the envelope the greeting card came in (with more Instax photos inside).

The penultimate pages. Opposites. Very indicative of how all over the place my feelings were at the time.

I stopped adding to the book 2 days before I drove out of DC. I had envisioned working on the book at least until the move and maybe on my road trip out to LA, but ultimately, I felt like the project was finished and that adding to it would become more of an obligation than the emotional and creative outlet that it had been up until then. So I stopped.

I highly recommend trying out this type of project. Working on it really did make me feel better and more in control of my emotions. And it is pretty cool how something can come together with just a little bit of work every day. I was super busy when I made these pages, but I got a pretty chunky little book after about a month of working on it. If you're interested in this idea and would like to know more, let me know!  I'd love to share more, or maybe even make it into a class...

Let's Talk About Sketchbooks Volume 6

It's been quite a while, but I'm finally back with another post in my sketchbook series! Today I'm sharing my most recently completed sketchbook, which I started in at the end of 2015/the beginning of 2016. 

At the time, I was feeling like spreading out on a big surface, so I got this big Moleskine sketchbook. and started working in it (even though I was already working in a few other sketchbooks/journals at the time). I decorated the cover with lots of stickers, including some from Babevibes, Feminist Sticker Club, Buried Diamond, Tuesday Bassen, and a pizza of my own design.

On one of the first pages I made a list of things I wanted to do in 2016. I've accomplished quite a few of them by now. I also ripped out the first page.  In this case, I ripped out my original strawberry painting to frame, but I tend to rip out the first pages of my sketchbooks often. Usually, I'll start a book but I won't stick with it, or I'll decide to use it for something else, so I'll rip out the used pages when I first start a book. I think of it as getting comfy with a sketchbook until I find the right time or the right use for it.

I think that this is the most "traditional" sketchbook I've ever kept. I used it to work out ideas and practice and didn't make very many "finished" pieces in this book. Some ideas worked (like the clouds), and some didn't (those weird lumpy shapes). 

Practicing painting portraits of European queens.

I can't keep a sketchbook without using up a full page for writing, but at least this time I wrote with a paintbrush.

Sketchbook randomness, which is what I think sketchbooks are for. More portraits, lettering, gratitude lists, and songs stuck in my head.

sketchbook floral

Flowers and color palettes

Notes and mock-ups of other projects.

I love both of these pages and have used them digitally as backgrounds for other work. The galaxy is watercolor with pen on top and the colorful page was made while playing with oil pastels.

More gratitude lists with little illustrations. Also, the first iteration of my collaged gems. I tested out the random idea with some scrap paper on this page and developed it later.

Like on this page, where I created a composition of several gems cut from watercolored paper.

Still life practice at the Hillyer Art Space in DC.

Pattern practice. And more chaos, always.

Pulling color palettes from Disney's Alice in Wonderland picture books.

Possibly the most sketchy part of this sketchbook.  Working on ideas for the logo for my Buffy the Vampire Slayer podcast, Hot Chicks with Superpowers. The middle drawing on the left page became part of our logo, but I can't wait until I get to draw that axe again.

When I want to practice but I don't know what to draw, I tend to look around the room and draw what I see.  These pages were drawn in my friend Ashely's apartment.

Towards the end of this sketchbook I got new sets of watercolor and gouache, so I spent a lot of time playing around with and getting used to the new paints.

I catalogued all of the watercolors in my new set, which looks pretty and comes in handy when trying to find the right color.

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Practicing layering with gouache. I was never really one for abstract painting, but I started to fall in love starting with this sketchbook spread.

Working out handlettering, which I digitally combined with the previous galaxy page to make this piece.

Using up excess paint and loving abstract painting even more.

sketchbook test page

I always use the back page of a sketchbook to test different writing implements/paints to see how they work on the paper or if they bleed through. And doodle song lyrics.

I finished this sketchbook in May, and since then I have mostly been working on loose paper, or working in a sketchbook but ripping pages out to scan. I'm starting to feel the sketchbook itch again, so I'll probably start another one soon.