Geometric Collage

Hey friends!  A lot has been going on around here since I last posted, most excitingly, I opened an Etsy shop. Inside you'll find giclee prints of some of my favorite and most popular artwork, original paintings, pizza stickers, and several geometric paper collages

I'm super excited about the collage work I've been doing lately (if you can't tell from all of the Instagramming). I loved creating a collection of 10 unique mini collages in a variety of color palettes, so I thought I would share a little bit about how the idea developed and my process for creating the collages changed over time. 

One of my first collages in progress.

The idea all started back in early June when I saw some images of Laura K Sayers's scrap books on Tumblr. Laura is an amazing artist who makes incredible illustrations from cut paper. Definitely check her out if you're looking for some fun art inspiration (she has no idea who I am, I just think she is rad). But I saw these books with her paper scraps and offcuts arranged on the pages so they almost fitted together and a lightbulb just went off in my head.

One of the gem collages I had been making.

I had already been experimenting with painting watercolor paper and cutting it up to create collages (like with my gemstones series), so put that concept together with the inspiration that came from Laura's notebooks. I decided to paint scraps of watercolor paper and cut them into geometric pieces and fit them together, almost like a puzzle with a white border around each piece, when adhering them to the page. 

Painted scraps and offcuts.

I went to my desk and started working right away, and created my first few collages using a palette of 9 colors on 4x6 pieces of paper that I had pre-cut.  My intention was to fill the whole page, but I realized that I like the look quite a bit more with some negative space.

An early piece.

For the next few days I kept making collages in different color palettes and played around more with developing the technique. I became more precise and adept about the fit of each piece and started letting the pieces go off the edges of the page.  I started cutting extremely tiny pieces to fit into the smallest possible gaps.

One of my first LA collages. I'm still in love with this color palette and the movement of this piece.

Over the next few weeks I packed up and moved from DC to LA, which didn't leave much time for making a huge mess with paper scraps, but once I got to LA I started up again. When I was homesick or stressed out, fitting pieces together was very meditative and calming to me, and the finished pieces made me incredibly happy. 

I also improved my materials and techniques when making each collage. I started out using glue tape to adhere each piece, but didn't feel that it completely secured the heavy watercolor paper (I also wasn't a fan of the little glue globules that would sometimes stick out from the edges of the collage). Now, each piece is made archival liquid glue and sealed with a uv protectant so it is extra secure and ready for display.

As I started to make pieces for the shop, I played around with color, shape, and composition. I learned to balance the collage in the same way that I would a painting. I made many more pieces than the ones that are available, because i only selected the ones that I loved. I also started to work bigger than 4x6" and made collages out of abstract paintings, instead of only working with solid colored scraps. 

The best part about this new work is that I have so many more ideas! I have only scratched the surface of what I want to do with this medium. I want to work in all different sizes, on backgrounds that aren't white, go back to the more chaotic style of the first collages that I made, and more.

I hope you've enjoyed this peek into my process. If you're interested, you can purchase a collage here. I may be biased, but they are even cooler in person - the watercolor paper is thick and pops off the page in a way that photos don't quite capture. 

100 Days of Watercolor Without Reference

Last year everyone on Instagram was all excited about the 100 Day Project (#the100dayproject), created by Elle Luna. It actually started right around the time that I was hitting the 100 day mark on my 365 day drawing project, so I didn't participate, but I loved following other people's projects - I found so many cool artists (notably Elena of Elena's Treehouse - her papercuts are incredible). My favorite part was that people's projects were specific, I was intrigued by having a bit more of a direction than making any drawing (although it might be harder to keep something like that up for a project more than 3.5 times the length of the 100 day project). When Elle announced that this year's 100 Day Project would be starting I decided to participate right away. 

I'm calling my project 100 Day of Watercolor Without Reference (you can check it out at #100daysofwatercolorwithoutreference). I have no idea where the idea came from, I was on a plane home from LA on the day before the challenge started and the phrase just popped into my head. I think I chose it because I liked the sound of the alliteration. I knew that I wanted my project to involve watercolor, which is my favorite medium lately, but I didn't want to be limited to just abstract or just representative painting. I am drawn to abstracts lately, but I also want to practice representative watercolor painting, so I created a project that would let me do both. (I've also done collage with watercolored paper, because it is my project and I do what I want.) But I still wanted something to make the project a little bit more interesting and challenging than just painting in watercolor every day, so I decided to paint without a reference (a photo or real-life reference for representative work and a color reference for abstracts).

With this project I'm not really looking to build a creative habit. After my 2015 drawing project I feel like I have done that already. But there definitely are some things that I am looking to get out of the 100 Day Project this time. 

1. To stop being so lazy about watercolor. As I mentioned, watercolor is my favorite medium of the moment, but it feels like a lot more effort than drawing does. I have to take out a bunch of supplies and then clean up more supplies when I'm done. I have to wash brushes and palettes. I can't do it with my sketchbook in my lap on the couch. You get the idea. It is much easier to just grab a few pens and draw, but watercolor really doesn't take THAT much effort. And the results are so magical - infinite colors, swooshy, unpredictable, watery goodness. Hopefully, having to bust out the watercolors every day will get me out of the mindset that they are too much effort to set up. Thus far I have been dealing with that by leaving my watercolor stuff out on the kitchen table, which I'm sure my roommate loves (Hi Hannah, if you're reading this, I'm sorry for leaving my art crap everywhere!). I also never watercolor while traveling, so I'm excited to be pushed do that, too.

Day 2

2. To explore painting without references. If I am painting or drawing something that is supposed to look like something (as opposed to an abstract) then I typically always Google the thing to look at photos as I'm working, or I'm working from something I can see in front of me in real life. I'm starting to get to a place where I care more about what my work is trying to convey than how much it actually matches the thing I'm trying to represent. Wow, that sounds super pretentious. I just mean that if I want to include a house in a painting it maybe the shadowing and the scale and the detail of each windowpane doesn't have to be exactly like that of a real house for me to be happy with the overall piece. Also, drawing or painting objects around me, or photos from Instagram of Tumblr is my go-to way of practicing. I'm excited to see what subjects and ideas come out of my brain when I deny the impulse to look around my immediate (real-life and virtual) surroundings for something.

3. To experiment with sharing work on the internet. By the end of my 365 day project I was so ready to have my Instagram feed "back." I was so tired of being forced (by me) to share photos of work that I didn't love or that didn't do the work justice. Maybe the idea is to make work until I have something that I'm actually proud to share, but that just isn't going to happen for me. I have a job and a life (kind of) and some days it isn't in the cards to keep making until I get it right. In the months since the end of December 2015 I've been happy to make my Instagram feed look like the inside of my brain - carefully selecting the photos and work that make me happy and hopefully convey where I'm at. But I'm still really interested in the idea of posting art every day, sharing what I'm making in the moment, and maybe being less critical of what I post. So I'm taking this project as a way to dip my toe back into sharing daily art to see what I think of it this time around. I was talking to someone recently who said that I seem like I think a lot about my work (I think the length of this blog post alone shows that I do), so I'm also using the daily Instagram posts as kind of creative check ins that allow me to share some thoughts on my process and the challenge every day. Maybe that will be interesting to someone!

Day 4

I might do some more posts reflecting on the 100 Day Project if I feel like I have things to say, but you can keep up with it on the daily on Instagram @haleyca. If you're participating let me know what your project is so I can check it out!

P.S. I haven't mentioned this here on the blog, but I recently did an interview with the wonderful Denise on her site, My Internet Girl Crush. If you're interested in thoughts on my process and the internet and how those two things relate (and what one of my college theses was on) check it out! While you're there definitely have a look at Deinse's other interviews because they feature awesome creative women from all over the world.  So honored to be an Internet Girl Crush!